Drum machine to the rescue

Akai iMPC Drum Machine

Akai iMPC Drum Machine on iPad

I recently had back surgery (a right L4-L5 microdiscectomy to be exact). I won’t go into all the details, but surgery was my best option given my situation. Because of this, I haven’t been able to play my drums for more than 2 months. The surgery has forced me to slow down, and has given me a lot of time to relax and think.

At our last frank rehearsal before my surgery, Seth handed me an iPad mini, loaded with a number of synths and other digital music programs. “Thought you might want something to play around with while you are recovering.” Seth is the man.

I played around with the iPad for a few days, and learned how to use some of the apps he had (like tabletop, arturi mini moog, and iMPC drum machine with some help from youtube). I had a lot of free time while I was home recovering, and this was a perfect way to spend it.

Now I can use the iPad at frank rehearsal, and I’m able to play along using my fingers. I can play “live,” or I can create loops that we can improvise on top of. It’s not the same as playing real drums, but it’s certainly better than not playing.

I tend to be an all or nothing person. I thought I would have to wait until I was fully recovered to start playing with the band again. Luckily Seth had this technology, was thoughtful enough to let me borrow it. Needless to say I’m extremely thankful for the loan. But more importantly it’s made me realize that sometimes you just need to see things slightly differently. Who knows, maybe the next frank record will be all drum machines…

I’m looking forward to getting back behind the kit. But in the meantime, I’m just happy to be making music with my friends.

-Christian

In Praise of Refused

I love music that exhibits a visceral intelligence – a confluence of thought and action.  I can’t think of a band that exemplifies those concepts more aggressively than Refused.

Wikipedia lists the band’s genres as “hardcore punk, post-hardcore, experimental rock, metallic hardcore/thrashcore” and that sounds about right.  But their music is also a perfect combination belief and movement.  Their final record “The Shape of Punk to Come” (1998) is visionary, fearless and one of the greatest punk/post-hardcore records of all time.  “Songs to Fan the Flames of Discontent” (1996) sounds like the heaviest, most urgent band in the world.  Do yourself a favor and check out their full set at Coachella in 2012 – their fourth show after 14 years away (band kicks in around 3:00):

Like Minor Threat, Fugazi and Quicksand, Refused push you forward. They broke up in ’98 but reformed for the 2012 run, which seems to have been a one-and-done reunion tour. I hope they play again.  The records don’t get old, but I really want to be there in person.

These Songs Will Save Your Life

I often try to find words, or references, as a way to explain how I feel about music, or a particular song. Music communicates so much without words, and I think that’s why I like it so much. I thought I’d share a few songs I am in love with – these songs make me feel alive. I did my best to find words, but your best bet is to just listen to the songs yourself.

Hollywood Forever Cemetery Sings – Father John Misty

I am in love with this entire album, and I can’t stop playing this song.  It’s a winter song.  The riff and the drums make me want to walk around the world and talk to everyone.  It makes me laugh and want to go out and get shit done, to call my friends, to play music and to write my own songs that sound like this.   I can picture the cemetery he’s singing about, and although I don’t understand his lyrics exactly, I like how he is able to talk about death openly and without too much sentimentality.  J. Tilman AKA Father John Misty (former drummer for Fleet Foxes) has his own way of weaving words together, and his voice perfect: rough and crackly, but strong and authentic.

Matterhorn – Jason Lytle

I will never forget the first time I heard Jason Lytle.  It was as though I finally was hearing music made for me.  His songs help me make sense of the world.  I love his voice and the way he builds songs.  He carefully layers his production and makes simple ideas sound perfect.  In this tune, the classical acoustic sits on top of synths and the simple drums drive everything.  The song is constantly ascending and soaring, and I almost wonder if that is on purpose – the song is called “Matterhorn,”  a mountain in Europe.

I am the Cosmos – Chris Bell

This song is honest and beautiful.  It’s about being alone, but the lyrics are swimming in of a big lush ballad that keeps you company.  I have a theory that once you write something down – lyrics or a melody, it’s instantly less bad than it felt when it was tucked inside you.  And this song feels like that to me.  The recording and musicians are great, and the song has a desperation that is released by the playing of the song.  The dynamics give it a grandiose, celebratory feel, even though the song is about how terrible loneliness can feel.

The Political Leanings of Superheroes

So, I have been thinking about this for a while and I thought it might be an interesting blog post. I thought I would write about two of my favorite things, Superheroes and politics. More specifically, what would be the political affiliation of some of the major superheroes?

We’ll start from the right. I believe the two most popular superheroes for the GOP and particularly the Tea Party would be Batman and Iron Man. Both of these heroes do not have inherent super powers. Their biggest super power is actually… lots of money.

Iron Man/Tony Stark:

Tony Stark is born into great wealth and is also born with great intelligence. At first, he uses this intelligence to further his father’s work in the military industrial complex, but then, due to a meaningful experience involving shrapnel in his heart, decides to use his wealth and intelligence to build a super-suit to try to solve the world’s problems. The importance for those on the right is that Tony is only able to be this super hero because he is so wealthy. He chooses (free will) to become a hero and it is this will along with his wealth that allows him to solve world problems. Nobody else is required to help him. In fact, in Iron Man 2, the government attempts to force him to turn over his suit in the name of national security. He then ends the Congressional Hearing telling the Senators that they cannot have his suit and he has “successfully privatized world peace” followed by giving the finger to the panel. Ayn Rand would be proud.

Bruce Wayne/Batman:

Bruce Wayne as well is born into great wealth and the tragic death of his parents as a child inspires him to train to be a super hero. All his training is well and good, but it’s his money that allows him to save the citizens of Gotham city and more importantly, fight the government corruption that only a billionaire dressed like a bat can handle. I can just picture the Koch brothers dressing up in capes and trying to sneak up on their servants!

For the folks on the left, it’s a little more complicated. However, I think two superheroes exemplify the more liberal side of beating up bad guys are Captain America and Superman. Now, both of these guys represent the jingoistic, stars and stripes and the American way kind of thinking which is generally associated with Republicans, but I believe their backstory provides the most liberal of origins for the major superheroes out there.

Steve Rogers/Captain America

Steve Rogers was a scrawny kid who wanted to be a soldier and was made into basically the world’s best athlete due to the super soldier formula. The most important feature of this story for liberals is that this is a government project. This superhero is created due to a taxpayer funded project run by the government… and it works!!! This is a nightmare for the Tea Party in that the government actually did something successfully (until the scientist who created the formula is murdered, but we’ll blame that on poor security).

Clark Kent/Superman/Kal El

Superman is an alien. Plain and simple. He was sent to this planet to escape his dying planet. Superman is an immigrant who then becomes probably the most important citizen of our planet. All the while he is not properly documented and actually hides out working at a liberal newspaper! It’s no wonder his biggest enemy, Lex Luthor, is a billionaire industrialist.

I’m interested in everyone else’s feedback in the Frank family. Let me know if you agree/disagree with my assessment of these guys and give me some more examples if you so desire. Or, just go about your day in a more productive manner, your choice.

The Grammys and the Damage Done

I think my good friend Ara Babajian of the fantastic Slackers nailed it when he wrote: “I have about as much interest in awards shows as I do in watching rich people golf.”  I believe that it is fairly common knowledge among discerning people that Grammys, like all awards shows, suck.

They suck primarily because the entities that organize the shows fundamentally don’t care about the art form they are allegedly celebrating.  Christopher Krovatin has written a spot-on, passionate piece in Noisey that makes this point convincingly by focusing on the exclusion of game changing Slayer guitarist and songwriter Jeff Hanneman from the “in memorium” section of the show.  I also note that Jared Leto was chosen to eulogize the great Lou Reed, thus forcing me to use their names in the same sentence, which is in itself a grave injustice.

I did not watch the show, though I did watch several of the performances in the maelstrom of Grammy recap posts/articles the following day.  In addition to the primary point made above, here are a few additional reactions:

  1. Fuck Macklemore:  I’m sorry, Seattle peeps, but I just cannot stand this guy.  It’s telling that this clown is EXACTLY what the Recording Academy loves – safe, innocuous, bullshit content.  Fucking yawn.
  2. Paul McCartney will be awesome until he is dead:  His new record is really good, his collab with the surviving members of Nirvana is good, he’s the best part of the Sound City documentary (which was pretty great already), the list goes on.  I love John just like the rest of us, but we must appreciate Paul while he’s still around.
  3. Trent Reznor is great/needs to chill the fuck out:  I’ve always respected the guy, and I thought the Reznor/Buckingham/QOTSA/Grohl end jam was very cool, but to accept a slot on a shitastrophe like the Grammys and then get all bent out of shape because they cut off your performance is like going to a Justin Bieber concert and getting pissed that the entire audience is under-18 and/or retarded.
  4. Even the Grammys shouldn’t let you pretend to play onstage:  I have loved Daft Punk since 1998, but the sight of them “DJ-syncing” was horrifying.  I’m shocked they went along with the whole production – it looked like the SNL cowbell set.
  5. Kris Kristofferson remains the man: The Highwaymen medley thing was very cool, and KK looked pleasantly stoned as he mocked Merle Haggard‘s archaic Okie from Muskogie lyrics.  I have written of my love for KK before.
  6. The Metallica / Lang Lang mash up on “One” was the only truly interesting thing that happened on the Grammys:  This was the only instance of real improvisation (including dissonance and spontaneity, two essential components in interesting music IMHO), and/or risk taking that I saw.  People give Metallica a lot of shit these days, but they still rock and they still take big risks, and I respect that.
  7. Beyonce is smoking hot, but otherwise pretty unremarkable:  And I respect Jay-Z, but I could use a break.
  8. I do not understand what all the fuss is about with Lorde.  But that’s OK, I don’t need to understand everything.

I think that’s it.

Cheers -

Scott

FRANK Live at Fontana’s Friday, January 24th!

FRANK Returns!  Live at Fontana’s Friday, January 24th!

Hey everyone -

It’s been while (we’ve missed you), but we’ve been busy and there are plenty of FRANK happenings in the works for 2014, including a new record, videos and shows.

For now, SAVE THE DATE – FRANK’s first scheduled show of 2014 will be Friday, January 24th at Fontana’s.  We’re playing with our friends Hidden Cities and Neon Groves, and will be playing a long set to make up for all the time we’ve been away.

Here’s the details:

What:  The Brooklyn Invasion Presents: FRANK live at Fontana’s, with Hidden Cities and Neon Groves

Where: 105 Eldridge Street (show is in the downstairs venue).  Check out a map here.

When:  Friday, January 24th, Show starts at 8PM, FRANK will play at around 10.  Come early and stay late!

Check in on facebook here.

Cheers -

Scott, Billy, Seth & Christian

The Replacements – Scott’s Favorite Band

Hey Everyone -

I was talking to Christian about how ecstatic I am after hearing that my favorite band of all time, The Replacements, were reforming (as best they can) to play three shows at RiotFest (one at the main festival in Chicago, as well as at the smaller offshoot festivals in Denver and Toronto).

The minute I heard the news I immediately bought my tickets for the Chicago Riotfest and booked flights and hotels.  I’ve been waiting for this for over 20 years!!!  The Chicago show is the one to hit, as (a) it has the largest and best overall lineup (maybe the best festival lineup I’ve ever seen, including Guided By Voices, Mission of Burma, Public Enemy, Quicksand (another reunion that blew my mind last year), Bad Brains, Bob Mould, X……), and (b) the Replacements famously broke up onstage in Chicago at Grant Park in 1991, you can listen to the entire show here.  If you want more live shows (many are legendary, some for performance, others for drunkenness, others for some combination of the two), here’s the spot.

I’ll spare you the story of my life with the Replacements, but suffice it to say that no band has had more influence on me as an overall musician, songwriter, guitar player or human being (for better or worse, mostly for better).  Their songs, their attitude, the development of their songs and attitude over time, the trajectory of their career and the countless stories about their exploits, shows, etc. are absolutely core to my own personal narrative.  I am not alone in this, and The Replacements are commonly referred to as one of the most influential and underrated bands of the past 30 years.  Jeff Tweedy of Wilco is a huge fan, and during Wilco’s covers set at the Solid Sound Festival, they covered the Replacements’ classic “Color Me Impressed” with Tommy Stinson guesting on guitar!  Check it out.

Here’s a shot of Paul Westerberg and I from 2002 or 2003.  He played four dates in the area (I went to all four shows) and hung out at the tour bus after the show to meet his rabid, cultish fans.

Since Paul and Tommy have decided to get back on stage, and all of their records have recently been reissued with great bonus content (though fanatics like myself have had all of this material in one form or another for years) and are available at Spotify, iTunes and everywhere else, I feel the time is right to offer the FRANK community the same guide I offered to Christian.

I now humbly offer my guide to The Replacements’ studio recordings.  The albums are listed in their current order of popularity with me, though I truly love them all, the order below changes weekly and each record has had a stay at number one at one time or another.  I’ve singled out certain notable songs on each record, but by no means does this take away from the rest of the material, all of which is worth multiple listens.  Each record has a distinct personality, so i recommend listening to complete records as opposed to single tracks.  Anyway, here goes:

Pleased to Meet Me (1987)

Let It Be (1984)

Tim (1985)

Hootenanny (1983)

All Shook Down (1990)

Don’t Tell A Soul (1989)

Sorry Ma Forgot to Take Out the Trash (1981)

Stink (1982)

Also worth listening to is the compilation All For Nothing / Nothing For All.  The first disc is just a compilation of selections from the band’s major label records (Tim, Pleased to Meet Me, Don’t Tell A Soul and All Shook Down), but the second disc has some fantastic extras, including hitherto unreleased songs, etc.

Happy listening.  if you want to join me in Chicago September 13 – 15, email me @ scott@frankband.com and we’ll figure it out.

Cheers -

Scott